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Netflix's 'Pride and Prejudice' trailer drops Emma Corrin and Jack Lowden into Austen's drawing rooms. The streaming giant is betting that period restraint can still make hearts race.
A faithful six-part adaptation arrives as Hollywood rediscovers that public-domain classics offer built-in audiences without the IP licensing fees.
Nick Mohammed figured out the British fame algorithm. It involves treachery, legal thrillers, and strategic self-deprecation.
The Ted Lasso breakout is having a moment that reveals everything about how British actors actually become household names in 2026.
The Academy Is Taking the Oscars Global. The Question Is Whether Anyone Outside Hollywood Actually Cares.
CEO Bill Kramer's Tokyo pitch reveals an organization betting its future on international membership and free YouTube streaming—a strategy that could either revitalize the ceremony or dilute its mystique.
Celine's CEO has a plan for the luxury downturn. It involves patience, discipline, and ignoring the panic.
Séverine Merle is betting that quiet confidence—not desperate discounting—will carry the LVMH-owned house through fashion's roughest patch in years.
Jessica Biel draws a line on nepotism. Her son will have to earn it like everyone else.
The actress's public stance against handing her children roles reflects a broader Hollywood reckoning with dynastic privilege—and the limits of what any parent can actually control.
The Academy draws its line in the sand. Oscars will remain a celebration of human artistry, even as AI rewrites Hollywood's playbook.
Academy president Lynette Howell Taylor's declaration in Tokyo signals that the industry's most coveted prize intends to stay stubbornly analog in an increasingly synthetic creative landscape.
Vivienne Westwood's ghost still runs the show. Spring 2027 proves the house needs no resurrection.
More than three years after the punk matriarch's death, her namesake label delivered a Paris collection that felt less like tribute and more like argument.
Lego has hired a Hollywood whisperer. The Danish toymaker is betting that celebrity partnerships are the new instruction manual.
By creating its first-ever head of celebrity talent and brand partnerships, Lego signals that the era of organic celebrity fandom is over—now it must be engineered.
David Bowie's ghost is about to play Berlin. Brett Morgen's immersive concert film 'Stage' will premiere during the Berlinale.
The director behind 'Moonage Daydream' returns with a theatrical experience that treats Bowie's catalog as living performance rather than archival footage.
Noah Wyle Is People's Sexiest Man Alive. The '90s Are Officially Running the Culture.
The 55-year-old ER alumnus's coronation caps a year of Gen-X nostalgia triumphing over younger contenders in Hollywood's popularity contests.
India's streaming revolution is already in decline. The industry peaked before it knew what hit it.
A new IMDb study finds viewer interest in Indian streaming surged 17-fold over a decade, but new commissions have fallen for two consecutive years—a troubling paradox for the world's most populous entertainment market.
Donnie Iris, Pittsburgh's forever favorite son, dies at 83. The city loses its last true hometown rock star.
From the Jaggerz' bubblegum hit to his own new-wave reinvention, Iris embodied a regional devotion that national fame could never replicate.
Neil Young Sues Trump for $10 Million Over the Same Song. Again.
Six years after settling a copyright dispute over 'Rockin' in the Free World,' the 81-year-old rocker is back in court, proving some battles are less about winning than about refusing to shut up.
Tovah Feldshuh invokes Hitler to rebuke her own co-star. 'Nobody Wants This' just got very uncomfortable.
The Netflix hit's intergenerational Jewish cast is now publicly split over Palestine, and the show's cozy brand may never recover.
Walter Koenig, Star Trek's Chekov, has died at 90. He gave the Cold War a human face in space.
The actor who turned a Russian navigator into one of television's most beloved characters leaves behind a legacy that transcended franchise fandom.
Women are fantasizing about minotaurs, orcs, and swamp creatures. The men they actually date should be worried.
Monster romance has exploded from a niche Kindle curiosity into a mainstream cultural phenomenon, and its popularity says something uncomfortable about the state of modern heterosexual dating.
A thousand-year-old embroidery is outpacing blockbuster films with Gen Z. The Bayeux Tapestry's London moment says more about us than it does about 1066.
When young people race to book museum tickets faster than cinema seats, the cultural hierarchy quietly inverts itself.
Eric Bauza, the voice of Bugs Bunny for a generation, is dead at 46. Animation has lost its most versatile throat.
The Emmy-winning actor who inherited Looney Tunes' most sacred roles died Sunday of cardiovascular disease, leaving a void that spans from Daffy Duck to the Ninja Turtles.
Indie horror swept the Fangoria Chainsaw Awards. The genre's gatekeepers are paying attention.
Curry Barker's 'Obsession' dominated the ceremony with five wins, signaling that horror's most devoted audience is ready to anoint new auteurs outside the studio system.
Sean Hannity and Ainsley Earhardt are married. Fox News just became a family business.
The network's most prominent prime-time host wed its morning anchor in a ceremony attended by Republican power brokers, cementing a merger of on-air talent and political influence that has no precedent in cable news.
Peggy King, the voice of television's innocent era, dies at 96. Her career traced the arc of American entertainment itself.
The singer and actress who became a household name on 'The George Gobel Show' before fading from public memory represents a generation of performers who built the medium we now take for granted.
Mariana di Girólamo's English-language gamble is paying off. The Chilean actress may have just booked her ticket to awards season.
Her turn in Martin McDonagh's 'Wild Horse Nine' marks the kind of crossover moment Latin American cinema has been waiting for.
Egyptian Cinema Has the Talent. It Needs the Infrastructure.
At El Gouna Film Festival, the Arab world's largest film industry confronts an uncomfortable truth about why its movies rarely travel beyond regional borders.
Brutalism is having a moment in the living room. The concrete aesthetic that once signified civic ambition now signals domestic taste.
Designer Alex Eagle's guide to bringing the austere, textured style home arrives as raw materials and honest forms become the new markers of cultivated interiors.
Europe's luxury empires have lost €250 billion. The Chinese consumer isn't coming back.
A decade of explosive growth built on Chinese demand is unwinding, and the continent's most storied fashion houses are discovering that aspiration has an expiration date.
Cynthia Erivo spoofs herself on SNL UK. The best Oscar campaigns now require self-deprecation.
By playing Glinda in a Lagos-set Wicked parody—complete with BBL jokes—the actress signals she understands the absurdity industrial complex that now governs awards season.
Jeff Garlin says he nearly ended his life after The Goldbergs. Hollywood's HR reckoning still has no aftercare.
The actor's disclosure that he reached out to Susie Essman before a planned suicide attempt reveals the human wreckage left behind when workplace investigations conclude but support systems do not begin.
Ferragamo returns to Hollywood with a party that felt like 1930. The Italian house is betting its future on its past.
A star-studded dinner at the Beverly Hills Hotel marked the opening of Ferragamo's new West Coast flagship, reviving the brand's original connection to Golden Age cinema.
Jay-Z brought his daughter onstage at SoFi Stadium. The heir apparent is learning the family business.
Blue Ivy Carter's appearance at her father's Los Angeles concert signals that hip-hop's first family is already grooming its next generation for the spotlight.
Bill Maher's Long Slide Into Trumpworld Hospitality. The 'Real Time' Host's Karoline Leavitt Interview Was a Masterclass in Deflated Provocation.
After dining with the President and cozying up to Kid Rock, Maher's once-sharp contrarianism now looks like something far more banal: access journalism with a smirk.
Hannah Einbinder knows the cost of speaking up. She's doing it anyway.
The Hacks star's decision to become one of Hollywood's most visible pro-Palestine voices reveals the shifting calculus of celebrity activism in a polarized industry.
Jeon Do-yeon may become the first Korean woman nominated for Best Actress. The real surprise is that it took this long.
After three decades defining Korean cinema and a Cannes triumph that predates the Parasite wave by twelve years, the star of Possible Love is finally on Hollywood's radar.
The H3 Podcast implodes after Hila Klein accuses Ethan of an affair. A decade-old YouTube empire dissolves overnight.
The couple who built their brand on married-couple chemistry now face the most public unraveling in creator-economy history.
Chrishell Stause is done performing civility. Her lawyers, however, are just getting started.
The Selling Sunset star's threat to sue her own castmates marks a new era in reality television, where the fourth wall isn't just broken—it's entered into evidence.
Paris is closing early. Art Basel, fashion week, and the city's cultural calendar are casualties of France's rolling unrest.
As planned riots threaten another weekend of disruption, the world's luxury capital is learning that cultural prestige cannot outrun political rage.
Erin Foster discovers her hit show's leading man has opinions. Welcome to the new rules of Hollywood pillow talk.
The 'Nobody Wants This' creator's awkward dance around Adam Brody's Gaza comments reveals how streaming-era showrunners must now manage their stars' politics as carefully as their storylines.
Raye's Mercury Prize win is the industry apology she never needed. She already had the receipts.
The British singer-songwriter's triumph with 'This Music May Contain Hope' completes a remarkable arc from label purgatory to the UK's most prestigious album honor.
Sylvester Stallone wants to make a half-human, half-AI movie. Hollywood hates the idea, and he doesn't care.
The 80-year-old action star's embrace of artificial intelligence filmmaking reveals a generational fault line in an industry still fighting yesterday's labor battles.
The next James Bond will be chosen this week. The franchise's future depends on getting it wrong.
Amazon MGM's final screen tests for 007 mark the most consequential casting decision in blockbuster cinema since Marvel picked Robert Downey Jr.
Travis Knight spent sixteen years making a stop-motion film nobody asked for. That's precisely why it matters.
The Nike heir and Laika chief's 'Wildwood' arrives as both a rebuke to algorithmic filmmaking and a test of whether patient, handmade cinema can still find an audience.
Amy Winehouse's 'Back to Black' turns twenty. London remembered her the only way it knows how.
A star-studded tribute concert proved the album's emotional architecture remains unmatched—and that Winehouse's absence still registers as a genuine cultural loss.
Chinese designers are finally building real brands. Western luxury houses are watching nervously.
As European megabrands see their China revenues crater, a generation of homegrown labels is maturing from runway curiosities into genuine commercial forces.
The CFDA Just Named Saint Laurent's Vaccarello Its International Designer of the Year. The choice says more about American fashion's identity crisis than his talent.
As the industry's most prestigious American awards honor European houses and legacy names, the ceremony increasingly functions as a referendum on what domestic fashion even means anymore.
Victoria Beckham and Gap prove the quiet luxury era is over. The second drop lands this week.
After their spring collaboration sold out in hours, the duo returns with a 37-piece fall collection that suggests the mass-market fashion play is becoming the new prestige move.
Alexander Skarsgård is dressing like a lunatic on purpose. It might be the smartest thing any actor has done this awards season.
The Swedish star's increasingly unhinged red carpet choices for 'Wicker' aren't chaos—they're a masterclass in how to make a quiet fantasy romance the most-discussed film of the fall.
Billie Eilish and Finneas enter the jewelry business. The siblings who conquered music are betting they can conquer your wrist.
Their new John Hardy collection marks a rare case of pop stars partnering with an established luxury house rather than launching their own vanity label.
James Bond's wardrobe is going to auction. The prices will tell us exactly how much 007 still matters.
Propstore's 400-lot sale of franchise memorabilia—including Daniel Craig's Skyfall suit and Ana de Armas's No Time to Die gown—arrives as the series searches for its next lead and its cultural footing.
Julia Stiles brought the 1999 prom back to life. The tears were real, even if the occasion was reality TV.
A Dancing With the Stars tribute reunited the surviving cast of 10 Things I Hate About You to honor Heath Ledger, turning a Tuesday night competition into an unexpectedly poignant meditation on loss and legacy.
Asia Kate Dillon is looking for a service job. Hollywood's nonbinary breakthrough was supposed to change everything.
The actor who made history on 'Billions' and 'Orange Is the New Black' says eleven years of momentum have evaporated, raising uncomfortable questions about whether the industry's diversity moment has quietly ended.
Taika Waititi Calls AI Filmmaking 'Boring and Lame.' His New Movie Is About an AI.
The director's adaptation of Kazuo Ishiguro's 'Klara and the Sun' arrives as Hollywood grapples with the very technology his film interrogates, and Waititi is threading a needle few others would attempt.